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Hey Mama... 3.03.2008 |

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Oklahoma! It begins... 1.31.2008 |

At my first rehearsal for Oklahoma! at Shelby High School, drama director Kathie Burgin welcomed me into the fold and then promptly put a piece of paper in my hand outlining just what was expected of me as a cast member.

I cannot, the paper said, use being in the play as an excuse to get out of the house. Well, that won’t be a problem. Mind you, it said nothing about using it as an excuse to get out of the office.
I also have to keep good grades. Easy enough, as I am not graded. Judged on a daily basis, yes. Graded, no.

At the top of the list of rules, in bold: no egos or temper tantrums.
I’ll keep that in mind. So far, smooth sailing.

To be honest, I was concerned about how I would be welcomed by the cast and crew.

It’s easy, I think, for people of a certain age to underestimate teenagers. Once you’ve worked in the ‘real world’ for a few years, it’s hard to feel sympathy for the troubles and stresses of high schoolers. But take a look at the cast and crew assembled in Malcolm Brown Auditorium and you don’t quite fear for the future as much.
They’re nice, funny, and conscientious — no one tried to stab me, no one egged my car, no one was strung out on drugs.
As my grandmother would say, they’re kids with their heads on straight.

As I type all that, I realize it kind of makes me sounds like I too used to have to walk to school up hill both ways…in the snow. A quick bit of math and I find that I’m around 10 years older than any freshmen cast or crew members. When younger students from elementary and the intermediate schools show up, I’ll be practically ancient to them. Remember how old everyone seemed when you were 11?

There’s a lot to look forward to. Next week, I’ll be heading to rehearsal more often. Learning the music and blocking (where I’m supposed to be on the stage) is going to be a big deal for me. And the costumes…a room, eerily reminiscent of a sweat shop, has been set up with sewing machines, ironing boards and patterns for students to create and alter costumes.
The set has been scaled back from original plans. Burgin said in the past two years, so much construction talent that she has to teach a lot of skills from square one. But with so many people on stage for the big numbers, the set will fill out nicely, she said.

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Oklahoma...Okla-oh-no... 1.25.2008 |

I love music. I love song. I have a good ear — I can hear an off note misfire without difficulty.

And there’s my curse people.

See, I know that when I sing, it’s not a pleasant experience for the listener. Oh, but I used to have a voice. As a child, I could sing. Somewhere in puberty I got womanly curves but lost a soprano set of pipes.

Oh how I wish I was one of those people (usually in the pew behind you) who make a joyful noise unto the Lord that's so cacophonous only their Lord and Savior could love it. They sing loud and proud and have no clue five miles away some golden retriever has cocked its head to the side in curiosity.

Nowadays, only an unfortunate few are privy to my singing. That’s about to change. Pretty soon, my voice will be on display for a much larger population.

Thanks to a kind invitation from Kathie Burgin and Steve Padgett — drama gurus of Shelby High School — I’ll be taking part in the school’s spring musical “Oklahoma!”
I’ll be going to rehearsals, learning the music, care of Tracy Aderholt, and the moves … I even get a costume. (I hope, hope, hope there's a bonnet.)

While preparing myself for the fabled gauntlet that is a Burgin-Padgett-Aderholt collaboration, I took a closer look at “Oklahoma!” I have to confess that while I’ve seen many musicals and know some by heart (Sound of Music, My Fair Lady, Chitty Chitty Bang Bang...I could go on. And on.), I don’t think I’ve ever seen “Oklahoma!” in its entirety.

I know the part with the “Oooooooklahoma, where the wind comes sweepin' down the plain…” I’ve always felt a sort of solidarity with people from Oklahoma. I’m sure when they tell people where they’re from they have to hear that line at least six out of 10 times. I know what a trial that can be after growing up with a name that has been the title to songs by The Association, Kool and the Gang and Madonna.
(I also feel this bond with people named Roxanne, Gloria, Michelle, Janie, Angie, Brandy, Laura, Caroline, Layla, Jenny - and your number, Mickey, Jack and Diane, Sara, Lucy, Rhonda, Jolene, Sandy, Sherry, Eileen, Loretta, Donna, and Stacy's mom.)

And I know “Oh, What a Beautiful Morning” but that’s more due to my grandfather’s constant crooning when I was growing up than the movie.

I did some research — i.e. Google, YouTube and Wikipedia — and found some videos of the musical numbers. After watching the performances and the square-dance-like choreography I have a sneaking suspicion that singing may not be my biggest hurtle. (Cause my singing my be gauche but my rhythm is laughable. And it doesn't help I'm built like a chubby spider-monkey.)

But I look forward to learning about the production process and getting to know some of the students I’ll be working alongside with. I never did drama in high school, so I think this will be a nice chance to revisit those days. (AND THOSE DAYS WEREN'T SO LONG AGO...just for the record.)

So, check in here when you can. I'll be updating the blog when I can and every Friday I'll have a column in the print edition. I'll be doing some video, too.

Let me know if you have any questions or suggestions or advice.

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But Pa, that one always makes me cry... 8.03.2007 |

There's something about music that can make us soar or dash us against the rocks.

In my family, we have definitely love affair with the sad songs. Folksy or more contemporary, when we gather on Sunday afternoons and the guitars come out, it's on. The sadder the better. Even on Christmas Eve we go through the Silent Night and Away in a Manger and then? Well, after my grandmother requests Margaritaville, we sing Kristofferson, Cash, Jones, Willie, Waylon and the boys and more than a few selections from the Cokesbury Hymnal. Below is a list of some of the songs that always bring a tear to the eye...

In no particular order...
1. Will the Circle Be Unbroken
Really, there's very few songs that have such an ability to move a person so completely.


2. Why Me Lord? (Kris Kristofferson at his best thanking God for blessings during the times he was at his worst.The Gaither Vocal Band always does a moving performance, too.)

3. He Stopped Loving Her Today - George Jones

4. Taps

5. Danny Boy

6. The Band Played Waltzing Matilda (Just a sad soldier song. I have a real soft spot for those songs...)

7. Casimir Pulaski Day - Sufjan Stevens (Childhood sweetheart and bone cancer...)

8. O Night Divine (A moving song especially when you think about the tiny little baby it was written for.)

9. Man in Black - Johnny Cash ("'til things are brighter, I'm the man in black...")

10. Hurt - Johnny Cash (His palsied lisp gives the song a much richer quality than NIN's version)

11. Give My Love to Rose - Maybe Johnny should have his own list.


12. Whiskey Lullaby - Alison Krauss and Brad Paisley (Another soldier song...)

I'm sure there are tons of others...what gets you all teary?

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Readers and those who have stumbled upon Apres Moi...

Welcome to my blog. Here you're going to find three main focus points: education in Cleveland County, green living, and my foray into the theatrical arts. Often, a post will have nothing to do with previously listed topics. That's how I roll.